Aneta Stojnic, PhD
Theoretician, artist, and psychotherapist born in Belgrade, (Yugoslavia), based in New York.
Aneta’s work is characterized by strong connection between theory and practice. Her main areas of professional interest include performance and new media studies, psychoanalysis, gender studies, decoliniality, as well as artistic and theoretical practices that affirm critical thinking at the intersection of psychoanalyses, art, culture and politics.
Currently she is a candidate at the Institute for Psychoanalytic Training and Research, IPTAR in New York.
In 2015 Stojnic was a postdoctoral researcher at the Academy of Fine Arts in Vienna with a project topic “Liminal Spaces and Shifting Realities in Contemporary Performance: Body, Politics, Technologies”. In 2013/14 she was a Basileus postdoctoral research-fellow at Ghent University, (Belgium) Faculty of Arts and Philosophy, Research centre S:PAM (Studies in Performing Arts & Media) with the project “Politics of Body in the 21st century”. Aneta Stojnić obtained her PhD at the University of Arts in Belgrade, Interdisciplinary Studies – Theory of Art and Media, in 2013. During her PhD studies she was a visiting researcher at the Academy of Fine Arts in Vienna in 2010, 2012 and 2013 with Ernst-Mach Scholarship and the OeAd (Austrian Agency for International Cooperation in Education and Research) scholarships. She was the artist in residence at TanzQuartier Vienna in 2011, and the writer in residence at KulturKontakt Austria in 2012. Since 2015 she holds a position of an assistant professor at the Faculty of Media and Communications in Belgrade, teaching several courses at MA and PhD study programs in Transdisciplinary Humanities and Theory of Art and Media.
Aneta Stojnić has published three books: a co-edited volume Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History (Palgrave Macmillan, London, 2017) and two single authored volumes Theory of performance in digital art: towards a new political performance (Orion Art, Belgrade, 2015, in Serbian) and a monograph on Jacques Lacan’s psychoanalytic discourse Jacques Lacan (Orion Art, Belgrade, 2016, in Serbian). She has authored numerous academic papers and essays on contemporary art and media published in renowned journals such as Performance Research; Théâtre/Public; n.paradoxa; AM Journal for Art and Media Studies; IDENTITIES Journal for Gender, Politics and Culture; Documenta: tijdschrift voor theater; and has contributed chapters to the books and volumes published by Palgrave Macmillan, Modernes Theater, Sternberg Press and Löcker, among others. Her new book Shifting Corporealities in Contemporary Performance: Danger, Im/mobility and Politics co-edited with Marina Gržinić will be published in 2018 by Palgrave Macmillan.
As an artist and curator she has collaborated with institutions and organizations such as: TanzQuartier Wien, Les Laboratoires d’Aubervillier (Paris), Quartier21 (Vienna), Dansens Hus Stockholm, Odin Teatret (Denmark), Chto Delat? (St. Petersburg), BITEF Theatre (Belgrade), Open Space (Vienna), MAIZ (Linz), AMRO festival (Linz), TkH Walking Theory (Belgrade/Berlin), October Salon (Belgrade) and many others.
She regularly presents her work and research at conferences and festivals worldwide.
She is a co-founder of McKenzie Stojnić media and performance group.