Aneta Stojnic / Curriculum Vitae


2019- present,  IPTAR Institute for Psychoanalytic Training and Research, New York, graduate studies in psychoanalyses

2021 – Certificate in Child and Adolescent Psychotherapy, the CAP program at IPTAR Institute for Psychoanalytic Training and Research, New York

2019 – Respecialization certificate,  IPTAR Institute for Psychoanalytic Training and Research, New York

2013 PhD in Theory of Arts and Media, Interdisciplinary studies, University of Arts in Belgrade, thesis title: “Theory of Performance in Digital Art: Towards a New Political Performance” under supervision of Prof.dr. Miško Šuvaković and Prof.dr. Marina Gržinić

2010, 2012 Academy of Fine Arts Vienna, Conceptual Art Department – study visits as a part of PhD research

2009 MA in Theory of Arts and Media, Interdisciplinary studies, Belgrade University of Arts, thesis title: “Performing Arts Between Live Presence and Electronic Representation”

2006 UR Hamlet – seminar with Eugenio Barba, Odin Theatre and international ensemble, Ravenna – Holstebro – Helsingor

2005 ISTA International School of Theatre Anthropology, under supervision of Eugenio Baraba, hosted by Gortowski Center, Wroclaw

2004 BA in Theatre Directing and Acting, Academy of Arts, Belgrade


Since 2014: Assistant professor at Faculty of Media and Communications (Singidunum University, Belgrade) Department for Humanities and Theory of Art

2015: Postdoc fellow at the Academy of Fine Arts in Vienna, Institute of Fine Arts, PCAP Post-conceptual art practices study program

2013-14: Postdoc fellow at Ghent University, Faculty of Arts and Philosophy, Research centre S:PAM (studies in Performing Arts and Media)


Articles in Journals:

“perchance to dream”  in Stillpoint Magazine, 011: SLEEP, October 2022

“Psychoanalysis and Performance Art: Go Figure!” in ROOM 6.19, A Sketchbook for Analytic Action, New York, 2019: 26-28

“Estrangement Effect: Politics and the Psychoanalytic Theatre” in ROOM 10.18, A Sketchbook for Analytic Action, New York, 2018: 29-31

“TheTravelers Blanket” (with Sarah Valeri and Gail Bragg) in ROOM 10.18, A Sketchbook for Analytic Action, New York, 2018: 15-16

“What is Refugee?”  (with Will Daddario, Janhavi Dhamankar, Milton Loayza, Jon McKenzie, Yana Meerzon, Tero Nauha and Theron Schmidt), in Performance Philosophy, Vol. 4, No.1, 2018: 206-233

Only Cyborgs and Cockroaches” in Performance Research, volume 22, 2017, issue 2: Turning Animal, pp. 123-128.

“Power Knowledge and Epistemic Delinking” in AM, Journal for Art and Media Studies, No. 14/2017: 105-111

“Denkmal oder Mahnmal? Historization and its consequences. Debating the political articulation of a traumatic past” in Documenta: tijdschrift voor theater, jaargang XXXIV, #1, 2016: 148-168

“Digital anthropomorphism: Performers avatars and chat-bots” in Performance Research issue Vol. 20, No. 2 On Anthropomorphism, 2015:71-78

“The Problem of the Political in Cyberspace” in A+M, Journal for Art and Media Studies, No.7 (2015): 103-111

“Transfeminists and transmigrants perspectives in Europe” (with Marina Gržinić) in n.paradoxa, international feminist art journal, Volume 34, July 2014: 16-27

“Cyborgs From Fiction to Reality: Marginalized Other or Privileged First?” in IDENTITIES. Journal for Gender, Politics and Culture, Vol.10 No 1, Summer/Winter 2013: 49-54

Book chapters:

“The Technotopia of Dragan Ilic” in (Re)evolucija/(Re)evolution, Dragan Ilić exhibition catalogue, ed. Zoran Erić, Museum of Contemporary Art, Belgrade, 2019: 129-165

“(Dis)embodied Subjectivities and Technologies of Control” in Border thinking ed. Marina Gržinić, Berlin: Stenberg Press,  2018: 220-231

“The Question of Disability in Contemporary Dance Practices” in Eds. Marina Gržinić, Alexander Ivanov, Joana Monbaron, Aneta Stojnić, Andreja Rihter, Tracings out of Thin AirLjubljana: Forum of Slavic Cultures, 2018: 50-54

“Radical Contemporaneity” in Eds. Marina Gržinić, Aneta Stojnić, Miško Šuvaković, Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History, Palgrave Macmillan, London, 2017: 77-88

“Introduction: Image, Racialization, History” in Eds. Marina Gržinić, Aneta Stojnić, Miško Šuvaković, Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History, Palgrave Macmillan, London, 2017: 1-9

“(Un)Dead and (Un)Buried: From Antigone to Chelsea Manning” in Eds. Katharina Pewny, Luk Van den Dries, Charlotte Gruber, Simon Leenknegt, Occupy Antigone: Tradition, Transition and Transformation in Performance, Tübingen: Modernes Theater, 2016: 165-176

“Mira_Corespondance” with Jelena Jureša in ed. Una Popović, Mira, Study for a Portrait, Jelena Jureša exhibition catalogue, Museum of Contemporary Art in Belgrade, 2016: 136-160

“What archives?” in Eds. Joanna Krakowska and Daria Odija, Platform. East European Performing Arts Companion, Lubin: Adam Mickiewicz Institute/Center for Culture Lubin/ Institute of Art of the Polish Academy of Sciences, 2016: 394-405

„Live or Living Dead: (Un)Setting the Stage for the Hologram Performer“, in Eds. Žarko Cvejić, Andrija Filipović, Ana Petrov, The Crisis in the Humanities: Transdisciplinary Solutions, Newcastle upon Tyne: Cambridge Scholars Publishing, 2016:174–182

“A Discussion of Hans-Thies Lehmann’s Post-dramatic Theatre” in Eds. Miško Šuvakovic, Žarko Cvejić and Andrija Filipović, European Theories in Former Yugoslavia: Trans-theory Regulations between Global and Local Discourses, Newcastle Upon Tyne: Cambridge Scholars Publishing, 2015: 173 -178

“From Feminism to Transfeminism: from Sexually Queer to Politically Queer”, (with Marina Gržinić) in ed. Katarzyna Kosmala, Sexing the Border: Gender Art and New Media in central and Eastern Europe, Newcastle Upon Tyne: Cambridge Scholars Publishing, 2014: 231-252

“Decoloniality of New Media Technology” in Utopia of Alliances, Conditions of Impossibilities and the Vocabulary of Decoloniality, Ed. Editorial Group for Writing Insurgent Genealogies, Wien: Locker, 2013: 260-266

“De/Re/Construction of memories of Yugoslavia: The Draft for the Exhibition”, in ed. Snežana Ćuruvija, De/Re/Construction: time, space memories, Pančevo Cultural Centre, 15th Biennale of Art, 2012: 39-44

Edited Publications:

“Shifting Corporealities in Contemporary Performance: Danger, Im/mobility and Politics”, Eds. Marina Gržinić and Aneta Stojnić, London: Palgrave Macmillan, forthcoming in summer 2018

“Tracings out of Thin Air”, Eds. Marina Gržinić, Alexander Ivanov, Joana Monbaron, Aneta Stojnić, Andreja Rihter, Ljubljana: Forum of Slavic Cultures, 2018

“Regimes of Invisibility in Contemporary Art, Theory and Culture: Image, Racialization, History”, Eds. Marina Gržinić.  Aneta Stojnić and Miško Šuvaković, Palgrave Macmillan, 2017

Focus issue editor, AM, Journal for Art and Media Studies, No. 14: Sovereignty, Migrants and Culture, October 2017

Focus issue editor, AM Journal for Art and Media Studies, No.8: Postfeminism, Transfemnism and Feminist Subjectivities beyond Identity Politics, October 2015

Guest co-editor (with Nikola Dedic), focus issue: “Serbian art in 2000s – Interviews”, Art Margins Online, September 2012

Guest editor of “New Moment Magazine” no. 32, special edition on contemporary art and design in Balkans, 2008

Book reviews:

“Aldo Milohnic: ‘Theory of Contemporary Theatre and Performance’ (book review)” in A+M, Journal for Art and Media Studies, no.6 (2014)


“TRANSFORMATIONS et défis dans les BALKANS” with Marina Gržinić (Transformations and Challenges in Balkans) in Théâtre/Public, No. 222, La Grece Et Les Balkans: Scenes En Transition Coordonne, (October 2016): 7-13



“Žak Lakan” (Jacques Lacan), Orion Art, Belgrade, 2016

“Teorija izvođenja u digitalnoj umetnosti: Ka novom političkom performansu” (Performance Theory in Digital Art: Towards a New Political Performance), Orion Art and FMK, Belgrade, 2015

Articles in Journals:

“Dekolonijalni obrt i politike epistemičkog razdvajanja” (Decolonial Turn and politics of epistemic delinking) in Srpska politička misao, No. 3, 2016.

“Uloga tehnologije u dekolonizaciji znanja” (The Role of Technology in (de)Colonisation of Knowledge) in AM, Journal for Art and Media Studies, No.1, (2011)

“Ideološki rad melodramskog zapleta u filmovima o Holokaustu” (Ideological Work of Melodramatic Plot in Movies on Holocaust) in ProFemina, Journal for Women’s Literature and Culture, no. 54, (2011):13-20

“Novomedijska slika i Izvođačke umetnosti: Modovi interakcije” (“New Media Image and Performing Arts: Modes of Interaction”) in Kultura – Journal for Theory and Sociology of Culture and Cultural Policy, no.127 (June 2010): 287-304

Book chapters:

“Digitalna umetnost u doba digitalne kulture” in eds.  Jovan Čekić and Miško Šuvaković Nova Povezivanja, FMK Knjige, Belgrade, 2017

“Nelagodnost u posthumanizmu” (Discontents in Posthumanism) in eds. Nataša Lah and Miško Šuvaković, TEORIJA UMETNOSTI kao TEORIJA VREDNOSTI, Orion art, Belgrade, 2017

“Sajber tenologija između kritike i apologije kapitalizma” (Cyber Technologies Between Critique and Apologie of Capitalism) in Eds. Irfan Hošić, Amir Husak, Kriza, umjetnost, akcija (Critis, Art, Action), City Gallery Bihać/University in Bihać, 2016: 140-151

“Lumino kinetika u svetlu prostora i vremena” (Lumino – Kinetics through Time and Space) in Radikalne Abstrakcije (Radical Abstractions), Eds. Miško Šuvaković, Nikola Dedić and Ješa Denegri. Beograd: Službeni Glasnik, 2013: 53-64

Book Reviews:

“’Istorija umetnosti u Srbiji – XX vek’ (recenzija knjige)” in AM, Journal for Art and Media Studies, no.1, 2012: 122-126

Other Commissioned Writings (selection):

“Doplgenger: Neimenovani fragmenti” (Doplgenger: Fragments Untitled) text in exhibition catalogue “Fragments Untitled” by artist duo Dobpgenger, Dom omladine, Belgrade: 2014

“Umetnost kao akcija u javnom prostoru / Art as Action in Public Space” text in exhibition catalogue “Danilo Prnjat – Art as Action in Public Space” Kontekst gallery, Belgrade: 2009

“Izvođenje, prisustvo i elektornska reprodukcija (Performance, Presence and Electronic Reproduction) text in festival catalogue “” Trebinje, Bosnia and Herzegovina: 2009

“Iza enformela” (Behind Informal) text in exhibition catalogue “Igor Bošnjak – Painting of Internal Necessity”, Academy of Arts, Trebinje, Bosnia and Herzegovina: 2008

“Wild Beauty Models — nova kolekcija brkova za žene” (Wild Beauty Models — new collection of mustaches for women) text in exhibition catalogue “Danilo Prnjat — Wild Beauty” Most Gallery, Podgorica, Montenegro: 2008

Translations from English to Serbian:

“Politika i izvođačke umetnosti” collection of essays by Janelle Reinelt, eds. Ivana Vujić and Milija Gluhović, University of Arts in Belgrade, 2012 (co-translated several essays in the collection)

“Teorija kao umetnička praksa” by Jonathan Lahey Dronsfield in A+M, Journal for Art and Media Studies, no.1, 2011 (translation of two parts essay “Theory as Art Practice. Notes for discipline” and “Outnotes for Indiscipline” originally published in Art&Research, vol 2 no.2 and vol 3 no.1)


“Liminal Spaces and Shifting Realities in Contemporary Performance: Body, Politics, Technologies” postdoc research project at the Academy of fine arts Vienna IBK, post-doc research project, 2015

“Body and it’s Double” post-doc research project at Gent University Research center S:PAM, 2013/14

Collaboration in research group PEPPER: Performance, Philosophy, Ethics and Politics, Gent University Research center S:PAM, 2014

“Politics of Body in 21st Century”, Academy of Fine Arts Vienna, Ernst-Mach scholarship, 2013

“Performing in cyberspace: STRL Reloaded” Tanzquartier Vienna, artistic research residency, 2011

“Post conceptual art practices and performance politics” KulturKontakt Vienna, writers residency (part of PhD research), 2012
ENPARTS Open Campus, colaborative artistic research project, Dansens Hus Stockholm (2011)

“What Archives? In Search of a history of Theatre and Performing Arts in Serbia”, East European Performing Arts Dictionary (EEPAP), research on the performance and theatre archives (2013)

“Platfoma. colboratove artistic research project on self-education and colaboraiton processes in art and activism” LeIpzig 2011, 2015

“Art and/as politics” research group within Deschoolong classroom project, TkH – Walking Theory, 2010/11

CTLS Center for Theatre and Laboratory Studies – research visit (consulting the archives), Holstebro, Denmark, 2006


Faculty of Media and Communications, Singidunum University in Belgrade, Department of humanities and theory of art (2015 — 2018):

PhD level courses: Performance studies; Decolonial theories of art and culture; Art and Technology; Critical Turn in Arts; Media and post-media research;

MA level courses: Theory of Experimental Music Theatre and Performance in 20th and 21st century; History of Experimental Music, Theatre and Performance; Performance and politics;

BA level course: Performance Studies and Contemporary Culture;

Workshop seminar: Art on Ignorance (based on Ignorant Schoolmaster).

Academy of Fine Arts in Vienna, PCAP study program (2013 and 2015):

Workshop seminar, BA and MA level: P.S. to Societies of Control

Workshop seminar BA and MA level: Conceptual Art and Techno-Bodies: Cyborg and

Queer in the New Technology Environment

Ghent University, Faculty of Arts and Philosophy, Research Center S:PAM (2013  14):

Modes of Interaction Between Performance and New Media Technology; (guest lecture series for MA students within the course of Visual Strategies led by Prof. Dr Christel Stalpaert)

co-teaching the PhD specialist course “Art and Ethics: Shifts from Biopolitics to Necropolitics” with a guest expert Prof. Dr Marina Grzinic


Scholarship of the Stipendienstifung der Republik Österrich for the postdoctoral research at Academy of Fine Arts Vienna, 2015

BASILEUS scholarship for postdoctoral research at Ghent University research center S:PAM — Studies in Performing Arts Media, 2013/14

Ernst-Mach Scholarship for PhD research at the Academy of Fine Arts in Vienna, 2013

KulturKontkt Austria – writer in residency in Vienna, June 2012

(OEAD) Austrian Agency for International Cooperation in Education and Research scholarship for one month study visit to Academy of Fine Arts in Vienna, March 2012

ENPARTS (European Network of Performing Arts) Open Campus, residency at Dansens Hus Sotckholm, funded by Vennice BIennale, June, August 2011

Platforma 11 residency in Leipzig, funded by Rosa Luxemburg Foundation, September 2011

Research residency at Tanzquartier Wien, in collaboration with KulturKontakt Austria, Vienna, March-May 2011

Rosa Luxemburg Foundation grant for attending Conference on Art and Political Education as a guest speaker in Working in Process workshop, Berlin, September 2011

(OEAD) Austrian Agency for International Cooperation in Education and Research scholarship for one month study visit to Academy of Fine Arts in Vienna, June 2010

UEPS award for the “Publication of the Year” for editing the “New Moment Magazine”, Belgrade, 2008


“Double Exposure: Performance of Self in Cyber-Frame” at 52nd IPA Congress,  21 July 2021—1 August 2021

“ROOM roundtable: Femininities in Psychoanalysis and Politics Rutherford” at 51st IPA Congress, London,  24-17th July, 2019

“Thought-Action Figures” at ICA 2019: 21st International Congress of Aesthetics – July 22-26, 2019

“Thought Action Figures” at Transmissions in Motion, Utrecht University, 23rd May 2018

“Is there a Post-human Performer?” at IFTR conference: Unstable Geographies, Sao Paolo, 10-14ht July, 2017

“Philosophy of the Refugee (and/or, Philosophies and Refugees)” with Performance Philosophy working group, PSi #23 Performance Studies international conference in Hamburg: “OverFlow”, 8-12 June, 2017

“Conclusions” at 2nd International Colloquium: Sovereignty, Migrants and Culture, Slovenian Academy of Sciences and Arts (ZRC‒SAZU), Ljubljana, 24-25 November, 2017

“Liminal Bodies and Radical Subjectivities” at IFTR conference: Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices, Stockholm 13-17 June. 2016

“Politics of image in the video films by Gržinić & Šmid” at international conference Image, Racialization, History, Faculty of Media and Communications, Belgrade, 25-16. September, 2015

“Genealogy of Amnesia” (coauthor with Marina Gržinić) at international symposium Fragments of Empire, Academy of Fine Arts Vienna, IKL, 24-25. Jun, 2015

”Digital Anthropomorphism Performers Avatars, Chat-bots, and Holograms” at  conference Bodies on stage: Acting confronting technologies, Sorbonne nouvelle, Paris, 3-5. Jun, 2015

“Live or a Living Dead: Hologram Performers, Capitalism and Crises of Body” at conference Beyond the Crisis in the Humanities. Transdisciplinary Transformations of Contemporary Discourses on Art and Culture, FMK, Faculty of Media and Communications, Singidunum Univerzitet, Beograd, 24-25. April 2015

”Race, class and gender in the post-human era. Where do we stand from a decolonial perspective?” (coauthor with Marina Gržinić) at conference Does it Matter? Composite Bodies and Posthuman Prototypes in Contemporary Performing Arts, Ghent University Belgium, 17-19. March 2015

“Transfeminism and Transmigration: Decolonial Perspectives” at international conference Material Matters in Times of Crisis Capitalism: Transnational Feminist and Decolonial Approaches, Institute of Sociology Justus-Liebig Univesity, Gissen, November 2014

“Cyborgs and Other Others” at ITFR World Congress:Theatre and Stratification, The University of Warwick, August 2014

“Re-Visiting Retroavntgarde” at PSi#20 Performance Studies international conference

“Avant-Garde, Tradition, Community”, Shanghai Theater Academy,  July, 2014

“Settings the stage for posthuman performer” at international conference Theatre, Performance, Philosophy: Crossings and Transfers in Anglo-American Thought, Paris University – Sorbonne, June, 2014

“(Un)Dead and (Un)Buried: From Antigone to Bradley Manning” at international conference
Occupy Antigone: Tradition, Transition and Transformation in Performance, Gehnt University, March 2014

“Interrelations between Body and Technology” FACELESS Symposium at Quartier21 MQ, during VIENNA ART WEEK, November, 2013

“New Media Technology: Questions of Politics and Performativity” at Psi #17 Conference Camillo 2.0 Technology, Memory, Experience, Utrecht, Jun, 2011

“Video Killed the Theatre Star” at Contemporary Theory of Art Symposium, Faculty of Philosophy – University of Ljubljana, Slovenia, November, 2011


“How Can I Trust You When I Know You Can Die” lecture at IPTAR CAP Program: Child Therapist at Work Series, New York (via Zoom), May, 2020

“Container/Contained: Addressing Aggression in Middle School Support Groups” panel discussion at IPTAR, Child and Adolescent Psychotherapy Program: Visiting Faculty Series, November, New York, 2019

“Container/Contained: Addressing Aggression in Middle School Support Groups” panel discussion at Friday Night Papers series at IPTAR, New York, September, 2019

“Estrangement Effect: Politics and the Psychoanalytic Theatre” presentation at Room Roundtable, New York, November, 2018

“Image, Racialization, History”  book presentations at In Print presentation of Iptar authors in 2017/18, New York, September 2018

“Cyber-lecture-formance” talk at “5 years of AM journal for art and media studies”, Polet gallery, Belgrade, September, 2017

“Dystopian Futures” panel discussion within the exhibition Radical Contemporaneity at KUNSTRAUM LAKESIDE, Klagenfurt, Jun 2017

“Ditigal Age: DIgital Art” panel discussion at Dom Omladine, Belgrade, January 2017

“Questions of history, sexuality, authorship, war and video / films apparatuses of exclusion and inclusion” pannel discussion at Alternative experimental film festival at Academic Film Center, Belgrade, December 2016


Comments on Jasmina Tešanović and Bruce Sterling’s “In Bed With The Exotic Enemy LECTURE, PERFORMANCE, CONFESSION”, Wienwoche festival, Vienna 2016

“Mira-study for a portrait” panel discussion in the framework of Jelena Jureša’s exhibition at MoCAB/ Museum of Contemporary Art in Belgrade, 2016

“Tracing Information Society” panel discussion in the framework of the exhibition SOCIAL GLITCH, project by the Working Group Technopolitics, Kunstraum NIEDEROESTERREICH, Vienna, 2015

“Perspectives of Home” panel discussion after performance-presentation by Helene Kazan at KEX Studio, WUK, Vienna, 2015

“Transdisciplinarity of Performance Studies: is Performance a General Paradigm of Contemporary World?”, lecture at the House of Culture, Belgrade, 2015

„Denkmal oder Mahnmal? Historicization and consequences – debating political articulation of traumatic past”, discussion with Jelena Juresa at Künstlerhaus Halle für Kunst & Medien, Graz, 2015

“Archival Twitch” panel discussion in the framework of Doplgenger’s exhibition Fragments Untitled, at DOB, Belgrade, 2014

“‘Balkans’ and ‘Post-War’ – Artistic Empowerment Beyond those labels”, panel discussion at Depot in collaboration with Open Systems, Vienna, 2013

“Hard Candies and Breadcrumbs of Performance Archives”, panel discussion at CDU Center For Drama Art, Zagreb, 2013

“Video Killed the Theater Star”, lecture at Student’s Culture Centre Belgrade, 2012

“New Media Image and Performing Arts”, lecture at Student’s Culture Centre Belgrade, 2011

“Digital Performative”, lecture at the Academy of Fine Arts Vienna, 2011

“Getting the Public”, panel discussion at Platforma11, Leipzig, 2011

“Performance (&) Theory”, artist talk at the Academy of Fine arts Vienna, 2010

“Performance, presence and Electronic Representation” lecture at 3 Video Art Festival Trebinje, Bosnia and Herzegovina, 2009

“Media Manipulation as Artistic Method” panel discussion at the 49th October Salon, Belgrade, 2008


RADICAL CONTEMPORANEITY: Marina Gržinić & Aina Šmid: 35 years of work revisited — Kunstraum Lakeside, Klagenfurt, 2017

Dislocations – the Desert of the Social, Open Space and Q21, Vienna, 2016

The Art of Ignorance, MAIZ, Linz 2015

EUROPE after the Cold War: Marina Grzinic&Aina Smid, FMK, Belgrade 2015

Open Systems 1-01-04/13 (co-curated with Walter Seidl, Işın Önol, Federica Bueti and Nikola Dedic) at Open Space/Open Systems & GPL contemporary, Vienna, January 2014

ARTSLAB issue3,(co-curated with Nikola Dedic) at Open Systems Vienna, 2013

15th Biennial of Arts in Pančevo, De/Re/Construction: time, space memories, (co-curated with Nikola Dedić), 2012


Performance and Theatre:

“Thought Action Figures” — performance lecture with Jon McKenzie, Spring Festival, Utrecht, 2018

“Into the Now” – lecture performance with Marina Gržinić, Kunstraum Lakeside, Klagenfurt, 2017

“New People” – Theatre performance with the collective Chto Delat, CZKD, Belgrade, 2016

“RADICAL POSITIONING OF THE SUBJECT IN THE ERA OF SOCIETY OF CONTROL” —Lecture performance with Marina Gržinić, AMRO Festival Art Meets Radical Openness, Linz, 2016

“Cyborgs and Other Others” — lecture performance, CZKD Centre for Cultural Decontamination, Belgrade, 2016

“Performance(and)lecture: Subjectivity in Cyber Space, Liminal Spaces and Post-Human Bodies” lecture performance/intervention within project “Le Puzzle n’est pas un Jeu Solitaire [seminar/performance/diner]” by Adva Zakai and Åbäke at Les Laboratoires D’Aubervilliers, 2014

“I Sing the Body Electric” — author and performer, Kondenz Festival Belgrade, 2012

“Sex on Trains and Rights of Lefthanders: Reloaded” — author and performer, Tanzquartier Wien, 2011

“Save the Last Dance” — performer and co-author with Pontus Pettersson and Tom Engels, within ENPARTS Open Door, Dansens Hus, Stockholm, 2011

“This is so Political” — performer and co-author with Isidora Ilic, Platforma 11, Leipzig, 2011

“Sex on Trains and Rights of Lefthanders” — author and performer, MKM Magacin u Kraljevića Marka, culture center, Belgrade, 2011

“The Dessert is Present” — author and performer, intervention/guerrilla performance at Park Avenue Whiter, New York, 2011

“Balkan Desire” — durational performance, author and performer, Biennial of Young Artists from Europe and the Mediterranean, Skoplje, 2009

“On Presence: Performance, Body, Screen” — lecture performance, author and performer, festival, Trebinje, 2009

“Rashomon — Movie Theater” (based on R. Akutagawa) director and set designer, BITEF Theatre, Belgrade, 2007
Actress in “Ur Hamlet” directed by Eugenio Barba, Odin Teatret, 2006

“Phaedra’s Love” (Sarah Kane) — director, theatre Atelje 212, Belgrade, 2004

“The Bear” (A.P. Chekhov) — director, DADOV theatre, Belgrade 2003

“Shakespeare Files” — director, Ohrid summer festival, 2002
Installation and Video:

“Into the Now” video, Marina Gržinić & Aina Šmid ft. Aneta Stojnić, Dorf TV, Linz, 2017

“All world is readymade. All politics is artificial.— Notes, thoughts, clips and tips” installation created with Art and/as Politics Group, Deschooling Classroom, MKM, Belgrade, 2012

“All world is readymade. All politics is artificial.— Notes, thoughts, clips and tips” art-book section created with Art and/as Politics Group for TkH Journal for Performing Arts Theory No.19, 2011

Performer in “How Far Can We Talk?” video performance by Martina Rusham and Vlado G. Repnik, Wiener Festwochen, Tanzquartier Wien Studios, 2011

Performer in “The Eye is Not the Camera” three channel video installation by Erica Tasini, ENPARTS Open Door, Dansens Hus Stockholm, 2011

“Deschooling Video Classroom” — collaborative research artistic project, concept: Marta Popivoda, co-authors: Marta Popivoda, Aneta Stojnić, K. Petrović, D. Zarevska, M. Cvetković, M. Marković, Dopelganger, N. Janković — TkH-center for Performing Arts Theory and Practice, following program of 51st October Salon, Belgrade, 2010

“Busyness Turned it into a Commodity” commissioned video art for DisArter festival, Belgrade, 2010

“Without borders? Some Critical Reflections on European and Global Border Conditions” – installation, collaborative project, concept: Kontekst Belgrade and h.arta group from Timisoara, Kontekst Gallery, Belgrade, 2009


Editorial board member of magazine ROOM — A sketchbook for Analytic Action

Editorial board member of AM journal for Art and Media Studies

PSi – Performance Studies international

IFTR-International Federation for Theatre Research

Performance Philosophy – international research network

UDUS – Serbian Association of Dramatic Artists

Other Scene – Platform of the Belgrade Independent Arts and Culture Scene


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